• Aivazovsky, Ivan
• Anderson, Sophie
• Beard, William
• Botero, Fernando
• Bouguereau, William
• Canaletto
• Caravaggio
• Cassatt, Mary
• Cezanne, Paul
• Constable, John
• Da Vinci, Leonardo
• Degas, Edgar
• El Greco
• Gauguin, Paul
• Grimshaw, John
• Kahlo, Frida
• Klimt, Gustav
• Macke, August
• Manet, Edouard
• Michaelangelo
• Modigliani, Amedeo
• Monet, Claude
• Rembrandt
• Renoir, Pierre A.
• Rivera, Diego
• Rousseau Henri
• Seurat, Georges
• Toulouse-Lautrec
• Turner, Joseph
• Van Gogh, Vincent

By 1870, he was successful enough to rent Knostrop Old Hall, a 17th century mansion near Temple Newsam, which features in many of his pictures. Later in the 70s, he built a house near Scarborough, and in the 80s rented a studio in Chelsea. Grimshaw painted mostly for private patrons, and exhibited only 5 works at the Royal Academy between 1874 and 1886, and one at the Grosvenor Gallery. The towns and docks that he painted most frequently were Glasgow, Liverpool, Leeds's, Scarborough, Whitby and London.

Grimshaw's style and subject matter changed little during his career; he strove constantly to perfect his own very individual vision. He was interested in photography, and sometimes used a camera obscure to project outlines on to canvas, enabling him to repeat compositions several times. He also mixed sand and other ingredients with his paint to get the effects he wanted. Although he established no school, Grimshaw's pictures were forged and imitated in his lifetime, notably by Wilfred Jenkins and H. Meegan. Although his moonlit town views are his most popular works, he also painted landscapes, portraits, interiors, fairy pictures and neo-classical subjects. During his early period he signed "J.A. Grimshaw" but c.1867 dropped the John, and signed himself Atkinson Grimshaw. He usually signed his pictures on the front and the reverse, inscribed with the title. Two of his sons, Arthur and Louis, were also painters.

View the John Grimshaw Gallery